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The previous interview I did with her bounced all the way toVienna, where it sparked the plan to found a Gonzofest Vienna – whose first event then fizzled and started percolating in Dublin, Ireland. But it was a tall lift to find an untaken venue in Dublin on that short notice.

So we luckily were offered Garden District Book Shop in New Orleans – Gonzofest 2025. Putting GF Europe on hold, we are considering Italy 2026. Meanwhile, we have a tremendous lineup of talent ready to jump in a plane. More on this New Orleans event at its website.

Betsy Wurzel writes:

We reflect on the unpredictability of life’s twists and turns, sharing personal anecdotes of remarkable synchronicities. Additionally, Margaret delves into her latest revised-edition book, BEYOND 3-D: KEEP THIS QUIET! III, discussing its inspiration and the transformative potential of her LuminEsscence Light Body work courses in facilitating spiritual growth and emotional healing.

Margaret also recommends THE HELL’s ANGELS LETTERS: Hunter S. Thompson, Margaret Harrell, and THE MAKING of AN AMERICAN CLASSIC, available on norfolkpress.com. This interview provides a captivating glimpse into Margaret A. Harrell’s diverse body of work and the eagerly anticipated International Gonzofest.

She was Hunter S. Thompson’s first book editor, helping craft the Hells Angels book. She was also a friend and, as readers of her book Keep This Quiet! know, “special friend.” Some even say she was a muse at the most critical time of his career… she certainly pulls no punches during a live interview from Louisville.

Being interviewed by people that gifted, you cannot help but come up with fascinating material. I am grateful that they pulling me aside at the July 2021 Gonzofest in Louisville for an impromptu interview. (Planned by them.)

Also, recently, before that, did my first Interviewed with Betsy Wurtzel

on Passionate World Talk Radio. It was a lot of fun and roamed over many of the topics I’m most interested in. Betsy wrote:

I highly recommend reading Keep THIS Quiet! Too about Margaret A. Harrell ‘s fascinating life!

Please listen to my interview with Margaret A. Harrell about this book and how these 3 men helped Margaret to be fearless!

Matt Hahn and Margaret Harrell, Gonzofest ’23

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Cover design: Deborah Perdue

I think this may be my most ambitious book yet. And most playful. I say to myself: Who wrote this?

order at Amazon.

Sir Isaac Newton famously complained about “action at a distance.” How was it possible, he wrote, that gravity, or attraction, operated between objects without physical contact? Well, jump to the twenty-first century, and we have a lot more to say about that. Readers will enjoy a brilliant, outrageous, playful exploration of quantum physics in everyday life, from a secret interplay of TV plots with us, in electricity, to other speculations, founded in the author’s decades of initiations as well as being an original thinker and a scholar.
An unusual feature of the illustrations in AN UNDERGROUND PRINCIPIA is a technique called “computer-PK,” or mind through matter in the creation of printouts that refocus the text on-screen in the printing so that nothing happens twice. As in Einstein’s “Credo,” the author exemplifies: “The most beautiful and deepest experience can have is the sense of the mysterious.”

In SPACE ENCOUNTERS II: AN UNDERGROUND PRINCIPIA, Margaret Ann Harrell leaps beyond existentialism, beyond cellular molecular electric, beyond epistemology, beyond phenomenology, beyond quantum physics, beyond first second and third person narrative, beyond fourth person singular, beyond tragedy, beyond comedy, beyond all genres, beyond space and time, beyond yin and yang, beyond dualism in all its manufactured forms, beyond encyclopedic knowledge, beyond gravity, beyond electromagnetics, beyond nondualism, beyond death, beyond 3-D, beyond sound and light to where there is no distance to where there are no gaps to where the ever changing creative imagination is the host of all and everything. SPACE ENCOUNTERS II: AN UNDERGROUND PRINCIPIA is a masterpiece, a miracle.
From start to finish beginning to end I was blown away by the brilliance the radiance the outrageousness the playfulness the hilarity the footnotes the simultaneous multiple conversations all of it!

It’s talking my language, and it’s a language that’s never been spoken! Ha! And Aha!

—Ron Whitehead, U.S. National Lifetime Beat Poet Laureate

Margaret Harrell has the most open-ended and far-reaching mind of anyone I know.

—Rhea A. White, Director, the Exceptional Human Experience Network

But who is ready for this culmination of a lifetime, written with multiple spirit guides, or let’s say packs of inspiration? Master Taiji teacher points this out:

My biggest concern is that I have no idea how many people will be able to grasp the depth of the principles you describe. It is amazing enough that you take a lifetime of experiences and connect them into a driving force that leads to the realization of one’s purpose.
Even more amazing is that you include the most subtle levels of existence that play a role in these processes. An Underground Principia connects life purpose, spirituality, depth psychology, and quantum physics into one all-encompassing movement.
Most breathtakingly, by reading An Underground Principia, the reader can gain the insight that all of this is happening, not in one lifetime, whether human or universal, but in an eternal now. Amazing achievement . . .

To help with this conundrum, be on the lookout for this book in audio.

Also, Jef Crab is going to provide some Reader Notes. And maybe assist in a stronger fashion through recorded Skype sessions we are doing together. I couldn’t be more blessed.

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Photo by Bill Hardesty

FEATURING:

“The Hell’s Angels Letters & The Origins of Gonzo” Panel with Margaret Ann Harrell | Louisville, KY | North Carolina Writers’ Network (ncwriters.org)

Event Artwork: Grant Goodwine

Matt Hahn and Margaret Harrell, Gonzofest ’23

William McKeen and Ron Whitehead, GF ’23

The Hell’s Angels Letters panel, Gonzofest

The Hell’s Angels LETTERS Esteemed Panel, Gonzofest ’23

Tim Denevi (Freak Kingdom) and Margaret Harrell (Hell’s Angels Letters)

Dr. John Brick, GonzoFest panel,, and Danielle

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Click to read the marvelous interview conducted by John Kennedy.

I thoroughly enjoyed myself. He sets the interview up this way:

Never for a moment quail before your antagonists. Your fearlessness will be to them a sure token of impending destruction, but to you it will be a sure token of your salvation—a token coming from God. – Philippians 1:28

She says life has taught her that being spiritually fearless and unapologetically yourself is an essential component of identifying and nourishing the God-given gifts and purpose one is born with. She realized that to achieve that for herself she needed to cast aside crippling self-consciousness. Achieving that easier-said-than-done goal, she remembers, was greatly assisted by some of the notable men in her life. In her memoirs, Harrell illustrates how  Thompson, Klonsky, and Mensaert particularly exhibited the sort of authenticity that was vital to helping her learn how to express her true self.

JWK: You’re latest book is called The Hell’s Angels Letters and is a full-color coffee table book that follows up on your Keep This Quiet! memoir as . . . 

Click on the link to read the article.

A marvelous thank-you to the publisher, John Kennedy.

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The host was marvelous, keeping things lively. Robert Sharpe has very thoughtful, interesting, wide-ranging topics. And he was ready to find them in Keep This Quiet Too! – vol. II of the KTQ! series. BookLife, the indie arm of Publishers Weekly, has its verdict on the book:

With an eye for surprising detail, Harrell conjures a charged and vivid milieu, even as the story she tells is often painful . . . A journey with grand destinations throughout the globe and within the author’s consciousness. – 

BookLife further calls it: “charged, vivid, painful, grand.” I’ll take it.  Also of interest, says the reviewer, is “her abundant enticing experiences and insights, and her relationships with her subjects.” The review opens:

“I’m not crazier than you,” Harrell reports once saying to her friend Hunter S. Thompson. Thompson’s response: “No, but you talk crazier.” That exchange, recounted in an introductory author’s note, kicks off the second in a series of memoirs (after Keep This Quiet!) by Harrell that examine her relationship with three fascinating men of letters: first that gonzo icon Thompson, for whom Harrell served as an editor at Random House and maintained a friendship with through his years of covering horse races and regatas, and Milton Klonsky, the beat writer who was her literary and spiritual advisor. Finally, there is the poet Jan Mensaert, her troubled husband, whose struggle with drugs, alcohol, and mental illness overshadowed his considerable artistic abilities.

“Horse races and regatta,” that’s a funny take on all the political news tackled. Just scratching the surface.

I’m VERY appreciative of the review, with phrases that lift out beautifully. And those topics and facets were on full display in this interview.

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If you would like it personally signed, contact me.  I will take orders to deliver personally to the Gonzofest in July 2013! It’s a marvelous gift or for your personal collection.

Read reviews and a book description on BookLife here.

Below are some reactions to The Hell’s Angels Letters followed by photos related to the book and me. Cover: Grant Goodwine. For collectors, there is a limited edition of 120 (at $120). For the high-end coffee table edition ($60, 297 pages, many in color), you can’t go wrong, as underscored enthusiastically by every single reader. Attention: there’s now an ebook  option on Amazon here.

REVIEWS:

The eminent reviewer for the Washington Post Michael Dirda has given a Big Head’s Up to The Hell’s Angels Letters: Hunter S. Thompson, Margaret Harrell and the Making of an American Classic in his October 8, 2020, write-up about it inside a piece called “Can’t get enough Game of Thrones or Star Wars? New editions on cult favorites are here to satisfy:

Among late 20th-century American writers, none can rival Norman Mailer and Hunter S. Thompson in sheer force of personality, both on the page and in person. Mailer, whether in his fiction, polemical essays or reportage, always aimed to be consequential, to be fiercely engaged with his times. Would that he were living now! For a hint of what we’ve lost, check out the latest book-length issue, Volume 13, of “The Mailer Review” at the home page of The Norman Mailer Society. Thompson’s motto might well have been “Nothing in moderation.” For “The ‘Hell’s Angels’ Letters,” Margaret Ann Harrell — in collaboration with Ron Whitehead — has assembled a dossier of all her correspondence with Thompson during the time she worked as the editor of the gonzo writer’s “strange and terrible saga of the outlaw motorcycle gangs.” Typed manuscript pages, scribbled notes, photographs, interviews and all sorts of period ephemera relating to “Hell’s Angels” allow the reader a valuable, behind-the-scenes glimpse into the making of this classic of New Journalism.

Beatdom review by publisher David Wills, author of High White Notes:

Finding the truth amidst the Gonzo madness of Hunter Thompson’s life story is not easy. He was an incorrigible self-mythologiser and the books about him tend to incorporate many of his own fantastic – and totally untrue – stories as though they were fact. Harrell attempted to dispel at least one of these myths in Keep This Quiet and digs deeper in The Hell’s Angels Letters, determined to set the record straight about how and where Thompson got the idea for a book on the Death of the American Dream and how his pet snake can to a violent end.

As the title implies, this book is mainly comprised of letters between Harrell and Thompson, some typed and some handwritten, and all printed here in colour. Of course, there are already two collections of Hunter Thompson’s letters available, but somehow they are even more enjoyable when read in the original form. Whether typed or scrawled in giant letters with a red pen, Thompson’s correspondence is invariably annotated and corrected in his unique way, adding a layer of personality that was missing from the collections, as well – of course – as Harrell’s explanations that provide further insight.

Margaret Harrell, The Hell’s Angels Letters launch

In case you missed it, there’s a Gonzo Today review of The Hell’s Angels Letters Letters by Kyle K. Mann, Editor-in-Chief. It opens like this:

This is a big book, literally and figuratively. The short version:

The Hell’s Angels Letters is a must-have text for any Hunter S. Thompson fan. Lavishly documented and illustrated with the actual correspondence that led to the publication of his breakthrough literary effort, ‘Hell’s Angels,’ this coffee-table book literally shows how HST boot-strapped his way from a impoverished nobody journalist to growing legend. The author, Margaret Harrell, who was Thompson’s editor on his inaugural book, and her collaborator, Thompson’s friend and associate poet Ron Whitehead, have succeeded brilliantly to create a fabulous present for you, or anyone in your life who admires Thompson’s numerous achievements. It is not inexpensive, but no matter, it’s worth every penny. The Hell’s Angels Letters: Hunter S Thompson, Margaret Harrell and the Making of an American Classic gets five stars out of five! Bravo!

The long version:

I was delighted to get the package at the Topanga Post Office from Ron. I got it home and opened it eagerly. As I flipped through the pages, I was astounded to see typewritten and even handwritten letters from HST. Beyond amazing! But, how the freaking hell am I going to review it?

It sat on my desk for weeks, demanding attention. I found myself resentful as the days went by… what am I doing with this monstrosity? I’d open it and recoil due to the intensity of HST’s personality, roaring off the page. I tried getting stoned and looking anew, but nope, way too heavy to digest and analyze in that state. Yet, Ron had sent it to me to review, and I knew our Gonzo Today readers wanted, even needed, to get my take.

To continue reading, click here.

In the Hunter Thompson Kitchen, Frazier Museum

First official reader review:

The Hell’s Angels Letters is a unique combination: at the center is Hunter Thompson’s letters to his contact person at Random House as his bestseller Hell’s Angels comes into being. (That contact continues thereafter.) Beside this is the admiring and excited perspective of that beautiful young woman at Random House, who then changes course to set off on some adventures of her own. (She turns out to be very interesting and deep in her own way, becoming more complex as she matures.) Interwoven is a history of the times, from literary and political perspectives, with a cast of characters from then. Plus interviews and short articles by authorities exploring Hunter Thompson’s  legacy. Photographs. And witty cartoons. 

I found this highly accessible book intriguing in a down-to-Earth very human way, requiring not metaphors, but rather—it seems to me—a deeply self-revealing honesty. I have liked it tremendously.

Paul Krassner, a player in The Hell’s Angels Letters

Virginia Williams, PhD, President of Williams LifeSkills

With Rory Feehan at the Frazier 2019

Juan Thompson, Margaret Harrell, Tim Denevi

Tim Denevi and Margaret Harrell

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is one of my favorite books by me. Readers often tell me how much they like it. Yet it’s not nearly so well known as Keep This Quiet! The human story in it is complex, about four writers’ lives as they intermix with each other. Three very intelligent, fabulous males in all their complexity, spread across a continent and a globe, that I, in my “hub” in Morocco or leaving once a year for a month in the United States kept exciting ties with.

Just landed on New York City soil, for a brief stopover in New York, where did I go? Of course, unannounced, my feet took me down to West Fourth Street in the  Village, walking the entire distance from midtown, telling myself I didn’t know where I was walking to. Of course, I knew. To Milton’s for my yearly indispensable feasting on his witticisms and steely analysis of whatever current predicament I found myself in in my marriage. His advice might be, when I bemoaned Jan’s suicidal tendencies,”Give him something to rise to. . . Or go down with him. But don’t be a bystander while this man commits suicide.” Never, that is, be a bystander in your life. Plunge into it. I always felt ten miles high, like Alice, after listening to such talk from an insider, who knew life through and through. And had the soul of a guru. With Hunter the attraction was something else. But deep and strong – and necessary – it was. And we often caught up on these trips to the States. Then back to Morocco, to my primitive sunny lifestyle there. Temporary, I always knew. But temporary was lonjg. Fourteen years of Oum Kalthoum, and Jacques Brel, and of course Mozart, all Jan’s favorites. And I forget Piaf.

REVIEWS:

“A passionately written memoir that doesn’t sit around being fit and proper and straight laced . . . As a key to the lives of these three writers it is idiosyncratic and in age where blandness is the norm, it is a pleasure to go on her journey and find out a little about what made these men tick and what drove her to them – Eric Jacobs” – Beat Scene print magazine (UK) # 70

Click here for a short YouTube video with some art and drawings by Jan during our life in Morocco.

BOOK DESCRIPTION:

In this sequel to Keep This Quiet! Margaret relocates to Morocco with her exotic, fascinating, unstable Belgian poet husband, Jan Mensaert. Living in villages, she adopts the local lifestyle of cooking on charcoal and shops for fresh groceries daily with a basket in open air markets. But the main focus is on her encounters with the three male protagonists, “outlaw” authors one and all, brilliantly creative and with the personalities that match. In once-yearly trips to the United Statets, she re-energizes on a diet of one-liner advice, deeply digested and wise, from genius-poet Milton Klonsky. This, she reports to the reader, magically as if her mind were a tape recorder. She also gets Gonzo updates from Hunter Thompson – two relationships that never lose their hold or significance, even necessity. From Morocco, to Belgium, to Switzerland, and the United States, Margaret pits wits with – learns from – and grows through these rare, close – sometimes romantic – relationships with men who exemplify authenticity. At one point, trying desperately to find her, Hunter writes, “Dear Margaret, Where are you and why? I’ve lost track completely. My last definite word was from a toilet-hole in Algiers.” He wants her to work on his next manuscript. This is 1971. Moving from 1970 (Belgium/a Cairo honeymoon) to 1986 (the Jung Institute Zurich), the book ends up fittingly at Hunter’s Owl Farm. Where else could the last two chapters take place? There, she reintroduces herself to Hunter. In fine form, he is trying to take the romance to the next level.
Actually, they both are intent on it.

REVIEWS:

“Margaret A. Harrell has done it again. In her brutally compassionately explicitly honest second autobiography KEEP THIS QUIET TOO! Harrell manages to repeatedly pull the rug out fromunder the reader. She travels from North Carolina to New York City to Morocco to Belgium to India toSwitzerland to Owl Farm, and many other places,…in search of her self. From depth psychology to dream analysis tohangoutologies to ecstatic love making to out of body astral travels to spirit guides, adventures andmisadventures, she is guided and guides herself ever homeward to her own heart and soul. Margaret A. Harrell’snew, second, autobiography, like volume one, is a masterpiece.” – Outlaw Poet Ron Whitehead

“Keep THIS Quiet Too! is a real-life saga of living and learning with eyes and ears open. At times adventurous, at times sensual, Keep This Quiet Too! hinges upon the complexities of human relationships, especially the challenges posed by the heart-wrenching feelings of love that may or may not be fully requited. Highly recommended.” – Midwest Book Review

“An honest and unflinching examination of the choices we make.” – San Francisco Book Review

Click for another short video of Spanish dances and honkeytonk composed by Jan Mensaert, played at his fast pace. A deeply artistic personality with all the drawbacks that can go with it. And the ebullient upside.

I love this piano music. Jan was a natural entertainer, but if you ever wanted to meet an artist in your life, he was the consummate artist. That’s one of the main reasons I was attracted to him.

A cameo appearance comes in from 1990, Willy Van Luyten, my boyfriend at the time, who also got roped into the drama of my life as it unfolded on a spiritual level at this point.

Willy Van Luyten

A short video clip taken from Nick Storm’s videography of my first presentation at the Louisville Gonzofest. This one is on first meeting Hunter. Need I say more?

Hunter Thompson at ranch 1991, where the book ends

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Harrell’s bold and searching collection takes readers on an odyssey of inquiry, with the first and foremost question being ‘How to establish that / Yes, I am / One with God and God is / One with You.’ But rather than provide an answer, Harrell’s poems seek to use the question as a gateway into a thought-space where the act of seeking knowledge results in spiritual transcendence. In a note, Harrell describes her spirituality as a conscious, living thing shaped over time by a series of spiritual events she calls ‘initiations,’ and through her poetry, Harrell seeks to divulge her spiritual wisdom.

The principle spiritual tenet in Particle Piñata is that all knowledge of the universe is united in an ever-shifting entity to which all people contribute and borrow, including the poet’s literary inspirations Baudelaire, Emerson, Whitman, and Joyce, and major figures from the poet’s own life, which include Milton Klonsky and Hunter Thompson. . . .

Touching on religion, philosophy, particle physics, linguistics, and more heady concepts, Harrell’s collection is a cosmic, often esoteric whirlwind which seeks to bring the poet’s conception of a spiritual being to life.
Takeaway: A cosmic, sophisticated collection that touches on spirituality, philosophy, and physics.

Great for fans of: Milton Klonsky, Delmore Schwartz.

From the Publisher:

The Particle Piñata collection spans over forty years of Life tackled from the heart. The genesis emerged when, living in Morocco in 1980, Margaret Ann Harrell began recording her dreams. And they poured in, introducing her to image trails.” She was in deep contact with the unconscious. In it resided this poet, a “second-class citizen” of herself. The poet to whom words came easily because after all she was in the unconscious, whereas the conscious prose author struggled, edited, cut, sweated, and was published. No longer is the poet in the closet. Having been a spokesperson for “the unconscious,” or collective unconscious, before, in this poetry Harrell brings in the transpersonal nature of us all. From after-death communications to stimulating RUMI-nations to metaphysics in “a bottle,” her poems bring puzzles, thought-provoking, with depth. Many are “To the Earth,” announcing prophetically, in the 1980s, the upheaval we are seeing today. True to the brand of humor of the unconscious, there is a section of brilliant word play, narrating insights about the untold stories of Jesus and Mary Magdalene, theChrist spirit, and the universal Christ consciousness.

From—Ron Whitehead, U.S. National Beat Poet Laureate

The time of the grandmothers, of the nurturing healing feminine energy has arrived. Patriarchy has sewn destruction long enough. We must all, female and male, become healers, seers. In her epic PARTICLE PINATA, author Margaret Ann Harrell stands in direct lineage with the desert mystics, the poet prophets of old and, simultaneously, with the contemporary cutting edge avant-garde. In a whirling dance with the creative forces of the universe Harrell draws explicit and implicit lines to Rumi, Blake, Yeats, Joyce, Jung, and others while forging mystical connections with clouds and coastlines, dancing in the borderlands of space and time, of being and not being, of embracing and letting go. And she accomplishes it all in her own distinctly original poetic voice. Through decades of carrying these poems from continent to continent, Margaret Ann Harrell has continued to add new poems and photos, to edit and revise, to transform her self into an ever evolving being, into this masterpiece book. I can’t recommend it highly enough. Go ahead, open the front cover and enter. You’ll never be the same.

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